Questions, answered

Any video cameras you already own — smartphones, GoPros, mirrorless rigs, or camcorders. An external audio recorder is not required. If you have a soundboard feed or a field recorder (like a Zoom or Tascam), drop it in for higher fidelity. But if you only have camera footage, ConcertCut extracts, phase-aligns, and cleans the audio directly from your camera angles.

No. Sync is recovered from the audio each camera recorded — down to the exact frame — including cameras that stopped and restarted mid-show. No timecode, clapperboards, or genlock hardware required.

From the music itself: acoustic energy, tempo transitions, and applause between songs, matched against the setlist you provide. You review the proposed boundaries on an interactive waveform and can drag to nudge any marker before rendering.

No problem. ConcertCut can detect song boundaries purely from musical dynamics, silence, and crowd applause. You can name the songs and adjust any split points manually in the review console before final export.

Yes. You have full creative control. The browser review console lets you audition alternative camera angles, swap cuts during a solo, or adjust virtual zoom framing. Because ConcertCut uses an incremental render cache, your adjustments re-render in minutes, not another overnight wait.

Roughly an hour per hour of show on typical hardware — start it after load-out, review it with coffee. Small tweaks afterwards re-render in minutes, not hours.

For early access and the founding member free show, performances are supported up to 90 continuous minutes across up to 4 camera angles. Higher-tier plans support expanded multi-set performances, additional camera angles, and multi-track audio feeds.

Both. Run it on your own machine, or let our cloud process shows while your laptop stays closed. The Tour plan can even deploy into your own private cloud project.

Standard formats from real gear: MP4/MOV (H.264/HEVC) video including log profiles from Sony, Canon, and DJI, and WAV/standard audio formats from field recorders — with automatic format checks at import.